Нина Викторовна Геташвили

Образование
  • МГУ им. М.В.Ломоносова, отделение истории и теории искусства исторического факультета, специальность «Историк искусства. Искусствовед», 1972
  • Стажировка в Государственном институте искусствознания МК РФ (Москва, 1980-1981)
Ученая степень, звание
  • Кандидат искусствоведения
  • Доцент (с 2000)
Специализация
  • Искусство Европы и США 19-21 вв.
  • Театрально-декорационное искусство
  • Русское искусство ХХ–XXI вв.
  • Русско-европейские художественные связи
  • Общие проблемы выставочной деятельности
  • Общие проблемы художественного рынка
  • Общие проблемы художественной критики
Место работы, должность
  • Российская Академия живописи, ваяния и зодчества Илья Глазунова (с 1997), профессор, декан факультета искусствоведения, заведующая кафедрой всеобщей истории искусства
  • Фонд Петра Кончаловского. Руководитель научных и образовательных программ (с 2011)
Преподавание (лекционные курсы)
  • Искусство Европы и США 19–20 вв.
  • Современная выставочная деятельность: тенденции и формы
  • Общие курсы по истории изобразительного искусства и художественной критики

Стаж преподавания в ВУЗах – с 1974. В разное время:

  • Тбилисская Государственная консерватория (курс «Всеобщая история искусства»)
  • Тбилисский Государственный театральный институт (курс «Всеобщая история искусства»)
  • Российская Академия театрального искусства, б. ГИТИС (курс «Всеобщая история искусства»)
  • Московский католический колледж им. Св. Фомы Аквинского (курс «Средневековое религиозное искусство Европы»)
  • АПРИКТ (Академия переподготовки работников искусства, культуры и туризма. Курс «Искусство ХХ века»)
  • МГУ им. М.В.Ломоносова (спецсеминар «Современная зарубежная выставочная деятельность»)
  • Институт философии, теологии и истории святого Фомы (курс истории искусства ХIX-XX вв. в ракурсе программы «Искусство и духовность»)
  • РГГУ (Российский государственный гуманитарный университет, мастер-классы по актуальном проблемам художественной критики, 1996-2007
  • Центр современной культуры «Гараж»
  • Музей Нового искусства, Санкт-Петербург, 2011
Основные кураторские проекты, выставки

1992 – 2000 – арт-директор художественной галереи «Нина» (Москва):

  • “Карнавал” (совместно с посольствами стран Латинской Америки и Карибского бассейна)
  • “Россия. Запад-Восток” (Совместно с культурным центром посольства Индии)
  • “Звуки музыки” – ЦДХ
  • Персональные выставки Сарэ (Париж) – ЦДХ, А. Чечика (Посольство Чешской республики)
  • “Унесенные ветром” (Совместно с Посольством Армянской республики)
  • “Московские художники” (Совместно с Эммануэль-колледжем Кембриджского университета) – Кембридж. Англия.
  • Участие в проекте «Галереи в Галерее» (ГТГ)
  • Участие в организации Международного Форума «Искусство и реальность», Санкт-Петербург. 21-22 сентября, 2011
  • Участие в организации Международного Форума «Искусство и реальность», Москва. 25-27 ноября, 2011
  • Куратор выставки «Эриванъ –Тифлис». Москва, Гостиный двор. Галерея «Дрезден». 2016, декабрь – 2017, январь
  • Куратор выставки «Смыслы и формы. Роберт Кондахсазов». Москва, Гостиный двор. Галерея «Дрезден». 2017, ноябрь
Конференции (доклады) последних лет
  • Символистские источники авангарда. // Международная научная конференция «Связь времен: история искусств в контексте символизма». К 260-летию РАХ. К 70-летию НИИ теории и истории изобразительных искусств РАХ. МК РФ; Отделение искусствознания и художественной критики НИИ теории и истории искусств РАХ; ГИИ; Межинститутская группа «Европейский символизм и модерн». 16-18.12.2017
  •  «Осень нашей весны», или «третий возраст» в русском искусстве ХХ века. // Международный междисциплинарный семинар Dimensions of Ageing. Представительство университета Осло в Санкт-Петербурге. Сентябрь 2017
  • Терминологические проблемы в курсах по истории искусства сегодня // Международная научная конференция «Актуальные вопросы развития искусствознания в России и странах СНГ и тюркского мира» К 120-летию П.Е.Корнилова. Академия наук Республики Татарстан, Институт языка, литературы и искусства им. Г. Ибрагимова, Общероссийская общественная организация «Ассоциации искусствоведов» (АИС), Исторический факультет МГУ имени М.В. Ломоносова. 18-19.05.2017. Казань
  • Изображение и слово: Пикассо – Дмитриева, Мальро. // Научная конференция «Историко-теоретические проблемы искусствознания: к 100-летию со дня рождения Н. А. Дмитриевой». Научный совет по историко-теоретическим проблемам искусствознания при Отделении историко-филологических наук РАН, Государственный институт искусствознания МК РФ, Уральский федеральный университет имени первого Президента России Б.Н. Ельцина Ассоциация искусствоведов; 24–25 апреля 2017
  • Дада. Музеефикация радикализма // Международная научная конференция «100 раз ДАДА» . Москва. Государственный музей В.В. Маяковского, Государственный институт искусствознания, Институт мировой литературы имени А.М. Горького РАН, Еврейский музей-Центр толерантности. 10 ноября, 2016
  • Андрей Толстой – художественный критик // Научная конференция «Историк искусства, критик, куратор в пространстве художественной жизни XX-XXI вв. Памяти Андрея Владимировича Толстого». НИИ теории и истории изобразительных искусств при РАХ. 21-22. 12. 2016
  • Скульптура в творчестве Джорджо де Кирико // Международная научная конференция «Искусство скульптуры в ХХ–XXI веках: мастера, тенденции, проблемы». РАХ. 27–29. 05. 2015
  • Нико Пиросмани. Российский эффект // Международная конференция «Пиросмани и грузинская культура». Национальный Исследовательский центр истории грузинского искусства и сохранения наследия. Грузинская Республика. Тбилиси.\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"Pirosmani and Georgian Culture\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\", to be held in Tbilisi, Georgia, G. Chubinashvili National Research Centre for Georgian Art History and Heritage Preservation. 5. 11. 2013
  • Дневные размышления о «Ночах музеев» // Международная научная конференция «Нужен ли музей молодежи? Нужна ли молодежь музею?». Государственный Эрмитаж, Французский институт в Санкт-Петербурге. Санкт-Петербург, 18-19 ноября 2013
  • Опыт российского кураторства в ретроспективе и перспективе // Ежегодный международный Форуме «Искусство и реальность». Москва. 22. 09. 2012
  • Проблемы интерпретации искусства ХХ века в учебном процессе // Международная научная конференция «Современные проблемы академического искусствоведческого образования», МК РФ, РАХ, Санкт-Петербургский государственный академический институт живописи, скульптуры и архитектуры имени И.Е.Репина. Санкт-Петербург 9. 10. 2012
  • Джорджо де Кирико: живописные циклы 1930-х. Музеефикация метафизики. // Научная конференция «Западное искусство. 1930-е». НИИ искусствознания МК РФ. Москва, 16 ноября 2012
  • Всеобщие истории искусства как документ эпохи. (П.П. Гнедич, А. Н. Бенуа и другие) // Международная конференция «Произведение искусства как документ эпохи». НИИ теории и истории искусств РАХ, Москва. 24 марта, 2011
  • Порт-Льигат – “ментальный пейзаж” Сальвадора Дали // Международная научная конференция «Ландшафтная культура мира: создатели и хранители». Москва, РГГУ. 20-22. 10. 2011
  • “Small Communities” in the post-soviet artistic space: decay products or a “new Whoul” (''Малые сообщества” в пост-советском художественном пространстве: “продукты распада» или “новое целое”) // Memory, Art and Art History in the Search for Identity (International Conference on Modern and Contemporary art. Dedicated to the 70th Anniversary of the Founding of George Chubinashvili Institute of History of Georgian art). «Память, искусство и история искусства в поисках идентичности». Тбилиси. 10. 2011
  • Актуальные проблемы художественной критики. // Международный Форум «Искусство и реальность», Президентская библиотека. Фонд П.П. Кончаловского. Санкт-Петербург. 25 ноября 2011
  • Судьба художественной идеи на службе идеологии (Интерпретация «классического» в эпоху тоталитаризма: Италия – Испания – СССР 1930-х годов) // Международная научная конференция XXI Алпатовские чтения «Россия - Италия - Испания: художественные связи» Москва. НИИ теории и истории изобразительных искусств при РАХ, РАН. 30.11 – 2.12. 2011
  • Американцы и героический авангард: в свете итогов ХХ века (Americans and the Heroic Avant-garde: Looking Back at the History of Art in the 20th Century) // Международная научная конференция «Культурно-политологические аспекты американистики» РГГУ. Russian-American Academic Center. Москва. 25-26. 02. 2010
  • Мифологический дискурс Осипа Цадкина // Международная научная конференция (ХХ Алпатовские чтения) «Россия – Франция в искусстве трёх столетий», посвящённая Году Франции в России и России во Франции. НИИ теории и истории искусств РАХ. Москва. 3-4. 12. 2010
  • Образы античности в русской живописи рубежа XIX-XX вв. Смена парадигмы // Международная конференция «Семантическая целостность Серебряного века» В Научно-исследовательском центре Славистики им. Андре Лиронделля Лионского университета Жана Мулена. Лион. 07. 2009
  • Пейзаж после битвы: постфутуристическое творчество футуристов // Международная научная конференция (XL Випперовские чтения) «Футуризм. К 100-летию художественного движения», приуроченная к выставке «Футуризм – радикальная Революция. Италия – Россия». К 100-летию художественного движения». ГМИИ им. А.С. Пушкина. Москва. 8.4. 2009
  • «Новые аргонавты» или тема «внутреннего путешествия» в западноевропейской живописи и графике ХХ века // ХХХIХ Випперовские чтения. Международная конференция «Тема пути в искусстве». Государственный Музей изобразительных искусств им. А.С.Пушкина, 24-25. 01. 2008
  • Академия художеств и современность. Западный опыт // Международная научная конференция (XVII Алпатовские чтения): «Российская академия художеств и современное искусство». НИИ теории и истории искусств РАХ. 22.03.2007
  • Сбросить маску: Энсор и Нольде // Международная научная конференция (XXVIII «Випперовские чтения») «Маски: от мифа к карнавалу». Государственный Музей изобразительных искусств им. А.С.Пушкина, Москва, 18.01. 2007
Книги
  • Во что превратиться Венера…Образы античности в искусстве ХХ века. М.: Буксмарт, 2016
  • Фрэнк Гери. М.: Директ-медиа, Комсомольская правда, 2016
  • Рене Магритт. М.: Директ-медиа, Комсомольская правда, 2016
  • Заха Хадид. М.: Директ-медиа, Комсомольская правда, 2016
  • Фрэнк Ллойд Райт. М.: Директ-медиа, Комсомольская правда, 2015
  • Оскар Нимейер. М.: Директ-медиа, Комсомольская правда, 2015 (в соавторстве с Н.Г. Геташвили)
  • Андреа Палладио. М.: Директ-медиа, Комсомольская правда, 2015
  • Золотой век голландской живописи. М.: ОЛМА Медиа Групп, 2015
  • Ле Корбюзье. М.: Директ-медиа, Комсомольская правда, 2014
  • Музей Польди Пеццоли. М.: Директ-медиа, Комсомольская правда, 2013
  • Галерея Барджелло. М.: Директ-медиа, Комсомольская правда, 2013
  • Музей королевы Софии. Центр современного искусства. Мадрид., М., Директ-медиа, Комсомольская правда, 2012 (В соавторстве с Л. Чечик)
  • Галерея Дориа-Памфили. М., Директ-медиа, Комсомольская правда, 2012
  • Дрезденская галерея. Коллекция живописи. М., ОЛМА Медиа Групп, 2012
  • Галерея Академии. Венеция. М., Директ-медиа, Комсомольская правда, 2011. (В соавторстве с Л. Чечик)
  • Петр Кончаловский. М., Директ-медиа, Комсомольская правда, 2011
  • Энциклопедия «История искусств с древнейших времен до классицизма». Составление, общая научная редактура, (67,2 а.л.) и авторство статей (4 а.л.). М.: ОЛМА медиа групп, 2009
  • Тайны мировой архитектуры (в соавторстве; + научная редактура всего корпуса текстов). М.: «Новости», 2008
  • «Символика тайных обществ». М., 2007 (альбом-календарь)
  • Лейла Хасьянова. М.: «Белый город», 2006
  • Рембрандт. М.: ОЛМА, 2005
  • Леонардо да Винчи. М.: ОЛМА, 2005
  • Постимпрессионизм. М.: ОЛМА, 2005. (Совместно с К. Л. Лукичевой)
  • «Мировая художественная культура». Учебник для ВУЗов. Раздел «Художественная культура США». М. «Высшая школа». 2004, 2009
  • Малые голландцы. М.: ОЛМА, 2004
  • Дали. М.: ОЛМА, 2004
  • Атлас мировой живописи. М.: ОЛМА, 2003
  • «Энциклопедия для детей». Том 7 – «Искусство». Часть вторая: «Архитектура и изобразительное искусство XVII-XX веков. Раздел «Искусство ХХ века. Зарубежное искусство». М., «Аванта+», 1999
Избранные публикации
  • Скульптура Джорджо де Кирико // Коллективная монография «Искусство скульптуры в XX-XXI веках: мастера, тенденции, проблемы». М.: БуксМАрт, 2017
  • Тайная жизнь Роберта Кондахсазова. Ж. «Русский клуб». VII, 2017
  • Музеефикация радикализма (к 100-летию дадаизма) // Научно-аналитический журнал «Дом Бурганова. Пространство культуры» N4, 2017
  • Касьян Голейзовский. “Я выучился рисовать…”. // Русское искусство, III/2017
  • “В театре вновь забился пульс”… Язык авангарда в грузинской сценографии 1920-х годов // Грузинский авангард: 1900 – 1930е. Пиросмани, Гудиашвили, Какабадзе и другие художники. Из музеев и частных собраний. М.: Фонд U-ART, 2016
  • Минотавры, фавны и наяды. Античность в творчестве Пикассо // Сб. науч. статей «Пикассо сегодня». М., Прогресс-Традиция. 2016
  • «Во что превратится Венера?» (I часть) //Ж. Искусствознание. N3-4, М., 2015. • «Все зависело от обстоятельств» —? Джорджо Де Кирико в 1930 е. //Научно-аналитический журнал \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"Дом Бурганова. Пространство культуры\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\" N2, 2015
  • Об опыте «католического» искусства ХХ века // Научно-аналитический журнал «Дом Бурганова. Пространство культуры» N1, 2015
  • Другая античность в русской живописи рубежа 19-20 вв. // Вестник МГХПА им. Строганова, 4/2014
  • Всеобщая история искусства как документ эпохи // Cб. научных статей «Произведение искусства как документ эпохи». В. 2-х частях. Ч. I. М., 2014
  • Гомер и Овидий в интерпретации западноевропейских художников ХХ века. // Сб. «Актуальные проблемы литературы и культуры». Выпуск 5. Ереван, Лингва, 2014. (На армянском и русском языках). • Гомер и Овидий в художественном мире ХХ век. // Вестник МГХПА. Декоративное искусство и предметно-пространственная среда. N3, 2014
  • Hugo Schaufler – Begeisterungund Inspiration // Die Kuenstler Gielde, 2/3 –2014. ФРГ
  • Дневные размышления о музейных ночах // Сб. материалов международной конференции 18-19 ноября, 2013. Спб, Издательство Государственного Эрмитажа, 2014
  • Античные сюжеты в театральном творчестве Пабло Пикассо // Научно-аналитический журнал «Дом Бурганова. Пространство культуры» 3, 2014
  • Энциклопедия русского авангарда. Статьи: «Ладо Гудиашвили» (Т.I, М.: Глобал Эксперт энд Сервис Тим, 2013.), «Тифлис как центр авангардного искусства» (Т. III, М.: Глобал Эксперт энд Сервис Тим, 2014)
  • Allgemeines Kuеnstlerlexikon» (Sauer) 48 статей (литеры «I», «J») Band 76 Hunzinger - Iza (Idelson – Ivanova Julija); Band 77 Izaguirre – Jerace (Izmajlovič, Vladislav Matveevič - Jarošenko, Nikolaj Aleksandrovič) – 2012; Band 78 – Kontschalovsky/ 2013
  • Вступительная статья и научные комментарии к 3-хтомной «Всеобщей истории искусств» П.П. Гнедича. М., Олма-пресс. 2004. Книга – лауреат конкурса \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"Лучшие книги 2004 года\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\". Исправленные и дополненные издания -2013, 2014
  • Niko Pirosmani. The russian Effect. // International Interdisciplinary Conference «Pirosmani and Georgian Culture” Proceedings. George Chubinashvili national research Centre for Georgian Art and Heritage Preservation. Tbilisi, 2014. P.p. 57-61. (На груз. и англ. языках)
  • Fate of Art Following the Empire’s Dowfall // Texts. Art and Literature Scientific and Analitical Journal. Bruselles, N2, 2013. • Античный миф как визуализация «личной» мифологии в искусстве ХХ века (Де Кирико и Дали). // Искусствознание, 3-4, 2013. М., 2013
  • Средиземец. Античные мотивы в контексте сюрреализма Сальвадора Дали. // Сб. науч. статей «Дали вблизи и в дали». М.: Прогресс-Традиция, 2013
  • Американцы и героический авангард (в свете итогов ХХ века) // Cб. «Культурно-политологические аспекты американистики» (Материалы международных конференций. МОиН РФ, РГГУ, М., 2013
  • “Я верил тогда, что строю храм”. К. Марджанишвили и художники на русской сцене // Русское искусство, N 1, 1913. С 88-95
  • Порт Льигат. Сад как обстоятельство места // Вестник МГХПА. Декоративное искусство и предметно-пространственная среда., N1.2012
  • Архетипы античной мифологии в творчестве де Кирико // Научно-аналитический журнал «Дом Бурганова. Пространство культуры» N1, 2012
  • Art&Reality a San Pietroburgo. Cosa c'era? // «Academy of Fine Arts» (Trimestrale delle Accademie di belle arti. Milano). N 11, 2011
  • “Small Communities” in the post-soviet artistic space: decay products or a “new Whoul”. // Аbstracts International Conference on Modern and Contemporary art. Dedicated to the 70th Anniversary of the Founding of George Chubinashvili Institute of History of Georgian art. Tbilisi, October, 2011
  • Академия и актуальное искусство. Вчера. Сегодня. Завтра. // Научно-аналитический журнал «Дом Бурганова. Пространство культуры» N4, 2011
  • Мифологический дискурс Осипа Цадкина // Вестник МГХПА им. Строганова N3, 2011
  • ”Новые аргонавты”, или тема “внутреннего путешествия” в западноевропейской живописи ХХ века // Научно-аналитический журнал «Дом Бурганова. Пространство культуры» N3, 2011
  • Лабиринт Анатолия Чечика //Academia, N II, 2010
  • Тонино Гуэрра: парадоксы патриарха // Ж. «Новая юность», N 4, 2009
  • Европа. Живопись ХХ века // Современная Европа, N2, 2008
  • Лазарь Гадаев // Наше наследие, 2007. (в соавторстве). • Сбросить маску: Энсор и Нольде.// Сб. «Маски: от мифа к карнавалу». Материалы научной конференции «Випперовские чтения-2007», Тула: Власта, 2008
  • Европа. Живопись ХХ века // Современная Европа, N2, 2007, N2, 2008
  • «Не джентльмен, но модернист» (о творчестве О.Цадкина) // «Ностальгия», N 10, 2007
Избранные теле-, радиопередачи
  • Автор сценариев документальных фильмов из серии «Тайны мировой архитектурны». (ТО «Мастерская»): – «Вольные каменщики» (архитектура масонов), «Загадки великого Сфинкса» (О творчестве А. Гауди), «Тайна великих мореплавателей» (об архитектуре португальских тамплиеров), «Зашифрованная мудрость» (О. Нимейер). Фильмы показаны по каналу «Россия» в 2008.
  • Главный научный редактор и автор 120 сценарных основ для передач по изобразительному искусству на телеканале «Бибигон» (ТВ мастерская «Пилот»), 2010
Членство в других творческих и общественных объединениях
  • Член Московского союза художников
  • Член Международной ассоциации искусствоведов
  • Член редколлегии журнала «Art council / Художественный совет»
Иностранные языки
  • английский
  • французский
  • немецкий.