Анджелина Бакли Лусенто

05.09.1982 г.р.,
Образование
  • Northwestern University (USA), история искусства
Ученая степень, звание
  • Ph.D. (доктор философских наук)
Специализация
  • Искусство ХХ и ХХI вв.
Место работы, должность
  • ВШЭ, Школа истории, кафедра истории искусства
Преподавание (лекционные курсы)
  • Введение в социальную историю искусства
  • Современное искусство в глобальном контексте
Конференции (доклады) последних лет
  • Painting Socialist Internationalism: Béla Uitz and the Development of Transnational Proletarian Art, 1930-1941,Association of Slavic, East European, and Eurasian Studies. Convention, Chicago. November 2017
  • Roundtable Discussant: The Life of Film Beyond the Silver Screen. Association of Slavic, East European, and Eurasian Studies Convention, Chicago. 
November 2017
  • Representing the Revolution: How October 1917 Shaped the Face of the American Black Power Movement. Trajectories of October: Origins, Reverberations and Models of Revolution, EHESS, Paris. 
19-21 October 2017
  • Antiquity and the New Man: The Classical Figure in the Work of Evgenii Katsman. VI Международная научная конференция «Художник. Революция. Общество» Ульяновск, Россия. 15 сентября, 2017
  • Conference Co-Organizer (with Jessica Werneke), Art vs. Document: Photography in Modern Russian History, National Research University-Higher School of Economics, 1-2 June 2017
  • Entangled Modernisms: Constructivism, Jadidism, and the Emergence of a Global Avant-Garde in Eurasia. College Art Association, New York. 15-18 February 2017
  • The Site and Sound of Nonconformity: Boris Mikhailov’s Conceptual Photography in the Soviet Cityscape. Association of Slavic, East European, and Eurasian Studies Convention, Washington, D.C. November 2016
  • Roundtable Discussant: The Rise and the Fall of the Soviet Industrial Sublime. Association of Slavic, East European, and Eurasian Studies Convention, Washington, D.C.
November 2016
  • Unexpected Affinities: The Role of Jewish Artists in the Development of Early Soviet Culture, 1917-1932. History of Soviet Jewry (1917-1991): New Sources, New Approaches, Jewish Museum and Tolerance Center, Moscow, 
June, 2016
  • Toward a Pictorial History of the Modern Russian Word: Petr Miturich, Dmitrii Prigov, and the Development of an Avant-Garde Encyclopedia of Text and Image, 1919/1985. 6th International Prigov Symposium, St. Petersburg
, May 2016
  • Роль Международного бюро революционных художников (МБРХ) в глобальном модернизме: Открытия из архива. Федорово-Давыдовские чтения. МГУ им. Ломоносова. Апрель, 2016
  • Panel Co-Convener (with Dr. Alla Vronskaya): Aesthetics and Art Theory in the Socialist Context. College Art Association, Washington, DC. 
February 2016
  • Defining Socialist Industry: Anatolii Lunacharskii, Alexei Gastev, and the Question of Technical Aesthetics in Proletarian Culture. Association of Slavic, East European, and Eurasian Studies Convention, Philadelphia, November 2015
Избранные публикации
  • Surface Tension: Sam Gilliam, Modernist Painting, and the Critical Examination of Race in Post-War American Art. Critical Riot: On the Failures of Imagination in Contemporary Art Writing and Criticism, in press
  • Care Outside the Comfort Zone: Maternal Aesthetics, Katrin Nenasheva, and the New Politics of Performance Art in Russia. Performance Research 22:4 (7 November 2017): 79-88
  • Book Review, Aesthetic Revolutions and Twentieth Century Avant-Garde Movements, H- Russia, 10 August 2017, https://networks.h-net.org/node/10000/reviews/190429/lucento-erjavec-aesthetic-revolutions-and-twentieth-century-avant 
  • Exhibition Review, Hyperrealism: When Reality Becomes an Illusion, CAA.Reviews, 16 November 2016, http://www.caareviews.org/reviews/2757#.WC1ramQrL_Q
  • Дьяконов, Лученто, Плунгян и др. Соцреализм: исследовательские перспективы и тупики. Tatlin News 2:89:156 (2016), 677-703
  • Погоня за счастьем: как представляли себе социализм афроамериканские художники в США 1930-х годов? , Разногласия. №. 1, 25 February 2016, http://www.colta.ru/articles/raznoglasiya/10178
  • Exhibition Review: Special Fund, 1937-1939. National Art Museum of Ukraine, CAA.Reviews, 21 January 2016, http://www.caareviews.org/reviews/2693
  • The Conflicted Origins of Soviet Visual Media: Painting, Photography, and Communication in Russia, 1925-1932. Cahiers du Monde russe, 56/2-3, Avril- septembre 2015: 401-428
  • Book Review, Aksenov and the Environs, Studies in Russian and Soviet Cinema, Fall 2013: 353-354
  • Живопись, материя, пространство: Давид Штеренберг и визуальная новация в молодой советской России. Пространство ВХУТЕМАС: Наследие. Традиции. Новации: материалы Всероссийской научной конференции (Moscow: State Stroganov Academy of Design and Applied Art, 2010):134
  • Evolution and Homogenic Love in C.R. Ashbee’s Guild of Handicraft. Design in the Age of Darwin, eds. Stephen Eisenman and Corinne Granhof (Evanston: Northwestern University Press, 2008): 51-59.
Членство в других творческих и общественных объединениях
  • College Art Association (CAA)
  • Society for Disability Studies (SDS)
  • Society of Historians of East European and Russian Art (SHERA) 
  • Association of Slavic, East European, and Eurasian Studies (ASEEES)


Иностранные языки
  • английский
  • немецкий
  • русский